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THE CHORD ATLAS / DOMINANT SEVENTH

C dominant seventh piano chord

The C7 chord is built from C – E – G – B♭. See the exact keys, hear how they sound together, and explore how the chord changes when you move its lowest note.

4 notes4 voicingsFree to play & print
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C7 Dominant seventh

Selected notes: C – E – G – B♭

12-tone equal temperament
C dominant seventh keyboard diagram showing C – E – G – B♭
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Change the bass

Explore the inversions

All inversions use the same pitch classes. Moving the bottom note up an octave changes the voicing, not the chord identity.

Full inversion explorer ↗

Root position: C · E · G · B♭

Lowest note: C. Each higher note is placed above the previous one.

C dominant seventh piano keyboard, root positionHighlighted piano keys: C · E · G · B♭.CC4EGC5C6
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How to play C7 on piano

First, find C, the root of this chord. Then add E, the major third. Add G to complete the triad. The fourth note, B♭, creates the dominant seventh.

Play the notes together to hear the harmony, or one at a time to hear how the intervals form the chord. Start at a comfortable octave; the diagram shows one reference voicing, not the only valid place to play it.

What makes C7 distinctive?

C7 is a dominant seventh chord, not a major seventh. It is built from the C major triad plus B♭, a minor seventh above C.

Compare this chord with another

Compare C7 with C major (C–E–G). Add and remove B♭ without moving the other three notes to hear the new tension.

A practice exercise for C7

Play C–E–G, then add B♭ slowly. Listen for the stronger desire to move onward to another chord.

One mistake to avoid

C7 uses B♭, while Cmaj7 uses B natural. Do not use those names interchangeably.

A simple practice routine

  • Say each note name aloud as you find its key.
  • Play the root-position chord, then release the keys evenly.
  • Move to first inversion and listen to the bass change.
  • Return to root position without looking at the diagram.

Finger numbers depend on your hand size, octave and musical context; there isn't one universally correct fingering for every voicing.

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