C7 Dominant seventh
Selected notes: C – E – G – B♭
The C7 chord is built from C – E – G – B♭. See the exact keys, hear how they sound together, and explore how the chord changes when you move its lowest note.
Selected notes: C – E – G – B♭
All inversions use the same pitch classes. Moving the bottom note up an octave changes the voicing, not the chord identity.
Lowest note: C. Each higher note is placed above the previous one.
Lowest note: E. Each higher note is placed above the previous one.
Lowest note: G. Each higher note is placed above the previous one.
Lowest note: B♭. Each higher note is placed above the previous one.
First, find C, the root of this chord. Then add E, the major third. Add G to complete the triad. The fourth note, B♭, creates the dominant seventh.
Play the notes together to hear the harmony, or one at a time to hear how the intervals form the chord. Start at a comfortable octave; the diagram shows one reference voicing, not the only valid place to play it.
C7 is a dominant seventh chord, not a major seventh. It is built from the C major triad plus B♭, a minor seventh above C.
Compare C7 with C major (C–E–G). Add and remove B♭ without moving the other three notes to hear the new tension.
Play C–E–G, then add B♭ slowly. Listen for the stronger desire to move onward to another chord.
C7 uses B♭, while Cmaj7 uses B natural. Do not use those names interchangeably.
Finger numbers depend on your hand size, octave and musical context; there isn't one universally correct fingering for every voicing.