Cm Minor
Selected notes: C – E♭ – G
The Cm chord is built from C – E♭ – G. See the exact keys, hear how they sound together, and explore how the chord changes when you move its lowest note.
Selected notes: C – E♭ – G
All inversions use the same pitch classes. Moving the bottom note up an octave changes the voicing, not the chord identity.
Lowest note: C. Each higher note is placed above the previous one.
Lowest note: E♭. Each higher note is placed above the previous one.
Lowest note: G. Each higher note is placed above the previous one.
First, find C, the root of this chord. Then add E♭, the minor third. Add G to complete the triad.
Play the notes together to hear the harmony, or one at a time to hear how the intervals form the chord. Start at a comfortable octave; the diagram shows one reference voicing, not the only valid place to play it.
C minor, C–E♭–G, has two white keys and a black-key third. That E♭ changes the sound from the familiar C major triad.
Compare C minor to E♭ major (E♭–G–B♭). E♭ and G are common tones while C moves down to B♭.
Hold E♭ and G, switch between adding C and adding B♭. Notice how the same shared notes can support different roots.
For C minor, write E♭ as the third, not D♯. The note must be a type of E to spell a third over C.
Finger numbers depend on your hand size, octave and musical context; there isn't one universally correct fingering for every voicing.