Dm Minor
Selected notes: D – F – A
The Dm chord is built from D – F – A. See the exact keys, hear how they sound together, and explore how the chord changes when you move its lowest note.
Selected notes: D – F – A
All inversions use the same pitch classes. Moving the bottom note up an octave changes the voicing, not the chord identity.
Lowest note: D. Each higher note is placed above the previous one.
Lowest note: F. Each higher note is placed above the previous one.
Lowest note: A. Each higher note is placed above the previous one.
First, find D, the root of this chord. Then add F, the minor third. Add A to complete the triad.
Play the notes together to hear the harmony, or one at a time to hear how the intervals form the chord. Start at a comfortable octave; the diagram shows one reference voicing, not the only valid place to play it.
D minor changes the bright F♯ of D major into F natural. That single semitone difference is a useful ear-training contrast.
Compare D minor with F major (F–A–C). F and A are common tones, while the D can move one step down to C.
Play D–F–A, then F–A–C. Listen to the shared F and A and the motion of the outer note.
Do not confuse D minor with D major; the third here is F natural, not F♯.
Finger numbers depend on your hand size, octave and musical context; there isn't one universally correct fingering for every voicing.