Em Minor
Selected notes: E – G – B
The Em chord is built from E – G – B. See the exact keys, hear how they sound together, and explore how the chord changes when you move its lowest note.
Selected notes: E – G – B
All inversions use the same pitch classes. Moving the bottom note up an octave changes the voicing, not the chord identity.
Lowest note: E. Each higher note is placed above the previous one.
Lowest note: G. Each higher note is placed above the previous one.
Lowest note: B. Each higher note is placed above the previous one.
First, find E, the root of this chord. Then add G, the minor third. Add B to complete the triad.
Play the notes together to hear the harmony, or one at a time to hear how the intervals form the chord. Start at a comfortable octave; the diagram shows one reference voicing, not the only valid place to play it.
E minor is a compact white-key shape: E, G and B. The minor third, G, creates the characteristic darker quality.
Try E minor followed by G major (G–B–D). Keeping G and B in place makes the relationship immediately audible.
Play E–G–B, then G–B–D. Move only E to D, and listen before looking down at the keys.
Do not raise G to G♯ unless you want E major. The two chords share their root and fifth but not their third.
Finger numbers depend on your hand size, octave and musical context; there isn't one universally correct fingering for every voicing.