G Major
Selected notes: G – B – D
The G chord is built from G – B – D. See the exact keys, hear how they sound together, and explore how the chord changes when you move its lowest note.
Selected notes: G – B – D
All inversions use the same pitch classes. Moving the bottom note up an octave changes the voicing, not the chord identity.
Lowest note: G. Each higher note is placed above the previous one.
Lowest note: B. Each higher note is placed above the previous one.
Lowest note: D. Each higher note is placed above the previous one.
First, find G, the root of this chord. Then add B, the major third. Add D to complete the triad.
Play the notes together to hear the harmony, or one at a time to hear how the intervals form the chord. Start at a comfortable octave; the diagram shows one reference voicing, not the only valid place to play it.
G major is spelled G–B–D. It is a practical first chord for noticing how the black-key-free triad sits around the higher C octave.
Em (E–G–B) shares G and B with G major. The D of G major can move to E for a simple chord change.
Play G–B–D and E–G–B using as few moving notes as possible, then try the first inversion of each.
The middle note B is natural, not B♭. Lowering it by a semitone creates the distinctly different G minor chord.
Finger numbers depend on your hand size, octave and musical context; there isn't one universally correct fingering for every voicing.